An oscillating movement designed to interfere with pictorial coherence, Anne Von Freyburg’s discipline consciously centralizes the woman as subject rather than object.

Venus, the goddess of love and beauty, has been at the forefront of idolized female forms, which are still closely linked to mainstream culture. This series urges the artist to go beyond the tightly controlled boundaries imposed on female attributes. His aim is to free himself from these limitations, reflected in his unbridled and unashamed use of color, form and medium that is not confined to a restrictive frame or canvas.

With this visceral yet seductive new work, she has the autonomy to
manipulate forms with the desire to denounce a deep-rooted aversion to feminine aesthetics and the societal observations placed on women throughout history.