Based in Monaco’s Carré d’Or, the YellowKorner Monte Carlo gallery offers a wide selection of artworks in partnership with London gallery HOFA (House Of Fine Art), revealing new talents.
These works are dedicated to supporting rare talents and are represented by renowned multidisciplinary artists from around the world.
Open Tuesday to Friday, 10am to 1pm and 2pm to 7pm
Saturday, 10am to 1pm and 2pm to 6pm
Sunday, 11am to 4pm
Unveiling the tensions between beauty, conflict, and capitalism
July - September
Bran is a British sculptor, artist, and photographer known for transforming instruments of war into powerful works of art. A former member of the British Special Forces, he redefines symbols of conflict, capitalism, and resilience through his innovative sculptures.
Born in 1971 in Enfield, UK, Bran began as a photographer before joining the British Army Special Forces Reserves in 2004. His deployment to Helmand Province, Afghanistan, marked a turning point. There, he documented Afghan National Police officers who decorated their AK-47s with stickers, roses, and charms—symbolic acts of resilience that humanized weapons of destruction.
This experience became the foundation of Bran’s artistic vision: “The whole premise of my work is to simply disarm the weapon, taking something of mass destruction and transforming it into art. I use paper currency which represents capitalism, and the butterflies are a representation of mother nature taking over man-made tools and they also represent the lost souls taken by the deadly weapon.”
July 2-28, 2024
An oscillating movement designed to interfere with pictorial coherence, Anne Von Freyburg’s discipline consciously centralizes the woman as subject rather than object.
Venus, the goddess of love and beauty, has been at the forefront of idolized female forms, which are still closely linked to mainstream culture. This series urges the artist to go beyond the tightly controlled boundaries imposed on female attributes. His aim is to free himself from these limitations, reflected in his unbridled and unashamed use of color, form and medium that is not confined to a restrictive frame or canvas.
With this visceral yet seductive new work, she has the autonomy to
manipulate forms with the desire to denounce a deep-rooted aversion to feminine aesthetics and the societal observations placed on women throughout history.
I am text block. Click edit button to change this text.
