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HAUSER & WIRTH

Hauser & Wirth was founded in Zurich in 1992 by Iwan Wirth, Manuela Wirth and Ursula Hauser.

A family-owned structure with an international vision, Hauser & Wirth represents over 90 artists and estates in 19 galleries around the world, who have helped shape its identity and inspire its activities in the fields of art, education, conservation and sustainable development.

Located in the heart of Monaco, close to the emblematic Hôtel de Paris, Hauser & Wirth’s 290m2 gallery, with 9-meter high ceilings, unfurls under a spectacular light opening recessed within an elliptical terraced staircase. The gallery is part of a large complex designed by Rogers Stirk Harbour + Partners, owned by the Société des Bains de Mer. The conversion of the site was entrusted to Selldorf Architects (New York), who have been designing spaces for Hauser and Wirth worldwide since the gallery was founded in 1992.

Open Tuesday to Saturday, 10 a.m. to 7 p.m.

HAUSER & WIRTH
Place Du casino
98000 Monaco
tel. +377 92 00 04 20

2025

Annie Leibovitz. Stream of Consciousness

02.07.2025 - 27.09.2025

Travelling from Hauser & Wirth New York, 22nd Street, this exhibition presents a group of works—landscapes, still lifes and portraits—made by the distinguished American artist over the last two decades. Forgoing a linear timeline and conventional thematic constraints, the exhibition reveals Leibovitz’s associative thought processes and the fluid visual dialogue created among photographs that call attention to significant cultural markers of our time.

This is Leibovitz’s first exhibition in Monaco and follows her induction into the prestigious Académie des Beaux-Arts in Paris in 2024, the most recent achievement for the highly decorated artist, who was made a Commandeur in the Ordre des Arts et des Lettres by the French government in 2006.

‘Stream of Consciousness’ features both familiar images of iconic writers, performers and visual artists—Amy Sherald, Billie Eilish and Salman Rushdie are among them—and images that have rarely been exhibited publicly before. These include the Selldorf suite of photographs, depicting the historic Frick Collection in New York City whilst under construction. Annabelle Selldorf had been charged with the sensitive task of renovating the museum and had spoken to Leibovitz about the design challenges she was addressing. The photographs on view were taken just days after Leibovitz returned from a visit with Selldorf at the architect’s home in Maine.

‘Stream of Consciousness’ includes portraits of contemporary cultural figures such as Supreme Court Justice Ketanji Brown Jackson and Stephen Hawking alongside images of landscapes, interiors and historical ephemera—Abraham Lincoln’s top hat and Elvis Presley’s bullet-riddled television. The associative juxtapositions show Leibovitz’s diverse range of subjects and ability to balance intimacy and theatricality, the exquisitely personal and the grandly universal. Her eye is guided by intuition and a preternatural sense of narrative.

Larry Bell: Works from the 1970s

June 4 - August 31, 2024

The exhibition focuses on Larry Bell’s architecturally scaled works from the 1970s, particularly his standing walls, marking a shift in his practice towards free-standing glass panels joined with silicone. These monumental works depart from his earlier metal-framed sculptures, exploring architectural and mural geometries beyond the pure form of the cube. The display includes four large-scale glass sculptures from the early 1970s and ‘Moving Ways’, a monumental late 1970s wall work, showcasing Bell’s contribution to minimalism and corporeal phenomenology. The exhibition features rare, museum-quality pieces primarily from an important Italian collection, Panza Collection, including ‘Untitled’ (1970). Bell, a renowned artist from the Los Angeles art scene of the 1960s, is known for his innovative surface treatment of glass, harnessing light, reflection, and shadow. Since 1969, he has employed his high-vacuum coating system to deposit this metal films onto glass surfaces, extending his exploration into paper with ‘vapor drawings’ in 1978. The exhibition also highlights Bell’s recent work, such as ‘The Blue Gate’ (2021), showcasing his mastery of color and complex forms through monochrome color-laminated glass.

Moving Ways, 1978

Larry BELL

Larry BELL
Moving Ways, 1978
Aluminum on black Fabriano paper; suite of 5 panels
166.4 x 102.9 cm / 65 1/2 x 40 1/2 inches (panel 1)
137.8 x 99.1 cm / 54 1/4 x 39 inches (panel 2)
91.4 x 135.9 cm / 36 x 53 1/2 inches (panel 3)
167.6 x 104.1 cm / 66 x 41 inches (panel 4)
91.4 x 145.4 cm / 36 x 57 1/4 inches (panel 5)
Photo: Genevieve Hanson
Larry Bell
Courtesy the artist and Hauser & Wirth
The Blue Gate, 2021

Larry BELL

Larry BELL
The Blue Gate, 2021
Peacock and Amethyst laminated non-tempered glass
182.9 x 243.8 x 243.8 cm / 72 x 96 x 96 in
Photo: Alex Delfanne
© Larry Bell
Courtesy the artist and Hauser & Wirth
Two Glass Walls, 1971-1972

Larry BELL

Larry BELL
Two Glass Walls, 1971-1972
2 coated glass panels
182.9 x 182.9 cm / 72 x 72 in, each
Larry Bell.
Photo: Gian Sinigaglia, Felicity Samuel Gallery, London. Panza Collection,
Mendrisio
Untitled, 1970

Larry BELL

Larry BELL
Untitled, 1970
Inconel coated glass
182.5 x 91 x 0.6 cm / 71 7/8 x 35 7/8 x 1/4 in
Larry Bell
Courtesy the artist and Hauser & Wirth