{"id":6496,"date":"2026-04-02T10:53:05","date_gmt":"2026-04-02T08:53:05","guid":{"rendered":"https:\/\/www.monaco-artweek.com\/conferences\/born-into-art-passion-legacy-transmission\/"},"modified":"2026-04-14T17:12:21","modified_gmt":"2026-04-14T15:12:21","slug":"born-into-art-passion-legacy-transmission","status":"publish","type":"page","link":"https:\/\/www.monaco-artweek.com\/en\/conferences\/born-into-art-passion-legacy-transmission\/","title":{"rendered":"Born into Art: Passion, Legacy, Transmission"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”6%” constrain_group_1=”yes” bottom_padding=”6%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” content_layout=”default” gradient_type=”default”][heading subtitle=”Passion, Legacy, Transmission”]Born into Art:[\/heading][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#5A8C93″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#FFFFFF” column_shadow=”medium_depth” column_border_radius=”20px” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” content_layout=”default”][vc_column_text css=”” text_direction=”default”]\n
H\u00f4tel Metropole Monte-Carlo<\/strong><\/h6>\n
Tuesday 28 April at 3pm<\/h6>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][nectar_circle_images images=”6539,6537,6535″ sizing=”150″ positioning=”overlapping” stacking_order=”rtl” border_color=”#FFFFFF” alignment_desktop=”middle” alignment_tablet=”inherit” alignment_phone=”inherit” animation=”fade-in” image_size=”large” image_loading=”default” text_content=”+ Bj\u00f6rn Dahlstr\u00f6m
\n+ Fabrizio Moretti
\n+ Helly Nahmad”][\/vc_column_inner][vc_column_inner column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”30px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default” content_layout=”default”][nectar_responsive_text inherited_font_style=”default” font_line_height=”1.6″ text_direction=”default” font_size_tablet=”1em”]Fabrizio Moretti in conversation with Helly Nahmad, Art dealers and collectors<\/p>\n

Moderated by Bj\u00f6rn Dahlstr\u00f6m, Director, Nouveau Mus\u00e9e National de Monaco<\/p>\n

Both collectors and art dealers, Fabrizio Moretti and Helly Nahmad will engage in a joint reflection on their respective careers and visions of collecting. Moderated by Bj\u00f6rn Dahlstr\u00f6m, Director, Nouveau Mus\u00e9e National de Monaco, the conversation will address the interplay between passion and legacy, exploring how a collector\u2019s identity is shaped over time through family heritage and personal sensibility. It will also consider evolving dynamics of taste and the market, notably through historiographical reinterpretations, alongside the question of transmission, how collections are preserved, recontextualized, and passed on across generations.<\/p>\n

Bj\u00f6rn Dahlstr\u00f6m<\/strong> has been Director of the Nouveau Mus\u00e9e National de Monaco since 2021. An art historian trained at the \u00c9cole du Louvre, he previously held curatorial and leadership roles across major institutions, developing internationally oriented exhibitions at the intersection of contemporary art, design, and architecture. In Monaco, he oversees Villa Paloma and Villa Sauber, advancing a cross-disciplinary programme and strengthening the NMNM\u2019s global institutional network.<\/p>\n

Fabrizio Moretti<\/strong> is an Italian art dealer and collector, founder of Moretti Fine Art, with galleries in London and Monaco. Specializing in Old Master paintings and sculpture, he is known for scholarly expertise and museum-quality works. He collaborates closely with institutions and collectors, contributing to major rediscoveries and exhibitions, and is recognized for bridging connoisseurship with an international market.<\/p>\n

Helly Nahmad <\/strong>is a Monaco-based art dealer and collector, part of the prominent Nahmad family. Through the Nahmad Gallery network, he oversees one of the world\u2019s most significant private collections of Impressionist and Modern art, including works by Pablo Picasso and Claude Monet. Known for his discreet yet influential presence, he plays a key role in shaping the high-end art market.[\/nectar_responsive_text][nectar_cta btn_style=”underline” underline_visibility=”default” heading_tag=”span” link_type=”new_tab” button_color=”default” text_color=”#5A8C93″ button_border_thickness=”0px” alignment=”left” alignment_tablet=”default” alignment_phone=”default” display=”block” display_tablet=”inherit” display_phone=”inherit” icon_family=”none” link_text=”Reserve your spot” url=”https:\/\/www.eventbrite.com\/e\/born-into-art-passion-legacy-transmission-tickets-1986625676878?aff=oddtdtcreator”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”6%” constrain_group_1=”yes” bottom_padding=”6%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default”…<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":6473,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6496","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/pages\/6496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/comments?post=6496"}],"version-history":[{"count":15,"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/pages\/6496\/revisions"}],"predecessor-version":[{"id":6580,"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/pages\/6496\/revisions\/6580"}],"up":[{"embeddable":true,"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/pages\/6473"}],"wp:attachment":[{"href":"https:\/\/www.monaco-artweek.com\/en\/wp-json\/wp\/v2\/media?parent=6496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}