{"id":4946,"date":"2024-03-29T21:29:02","date_gmt":"2024-03-29T20:29:02","guid":{"rendered":"https:\/\/www.monaco-artweek.com\/galleries\/galerie-adriano-ribolzi\/"},"modified":"2026-04-06T10:17:41","modified_gmt":"2026-04-06T08:17:41","slug":"galerie-adriano-ribolzi","status":"publish","type":"page","link":"https:\/\/www.monaco-artweek.com\/en\/galleries\/galerie-adriano-ribolzi\/","title":{"rendered":"Galerie Adriano Ribolzi"},"content":{"rendered":"[vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; full_height=&#8221;yes&#8221; columns_placement=&#8221;stretch&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; 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column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color=&#8221;#ffffff&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/2&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][nectar_animated_title heading_tag=&#8221;h5&#8243; style=&#8221;color-strip-reveal&#8221; color=&#8221;Accent-Color&#8221; text=&#8221;Galerie Adriano Ribolzi&#8221;][vc_column_text css=&#8221;.vc_custom_1775093024618{margin-bottom: 30px !important;}&#8221; text_direction=&#8221;default&#8221;]A family business founded in Lugano (Switzerland) in 1920, Adriano Ribolzi opened his gallery in Monaco in 1974, becoming the first foreign antique dealer to set up in the Principality, specializing in 17th and 18th century French and continental furniture, antique paintings, sculptures and objets d&#8217;art.<\/p>\n<p>In 1975, he initiated the famous Biennale des Antiquaires de Monaco, where he participated until 2005, and for 18 years at the famous Maastricht fair (TEFAF).<br \/>\nIn 2009, to mark his 35th anniversary in Monaco, he inaugurated a new modern art section in his two gallery spaces, in the presence of the Princely family.<\/p>\n<p>In 2020, Maison Ribolzi celebrated its 100th anniversary, and today is even more open to new modern and contemporary artistic talent. It organizes a number of varied annual exhibitions, always focusing on the quality of the works on display. <\/p>\n<p>&nbsp;<\/p>\n<p>Opening hours:<br \/>\nTuesday to Saturday, 9:30am to 12:30pm and 2:30pm to 6pm.<\/p>\n<p>At MAW 2026 :<\/p>\n<p>Monday April 27th to Friday May 1st: Monday to Saturday, 10am to 12pm and 3pm to 6pm (closed on May<sup>1st<\/sup> )[\/vc_column_text][split_line_heading animation_type=&#8221;default&#8221; text_direction=&#8221;default&#8221;]<strong class=\"maw-exhib-carte-titre\">GALERIE ADRIANO RIBOLZI<\/strong><br \/>\n7 avenue de l\u2019Hermitage<br \/>\n98000 Monaco<br \/>\n<a href=\"mailto:ribolzi@adrianoribolzi.com\" target=\"_blank\" rel=\"noopener\">ribolzi@adrianoribolzi.com<\/a><br \/>\ntel. <a href=\"tel:+37797970377\">+377 97970377<\/a>[\/split_line_heading][nectar_cta btn_style=&#8221;see-through&#8221; heading_tag=&#8221;h5&#8243; button_color=&#8221;default&#8221; text_color=&#8221;#5a8c93&#8243; button_border_thickness=&#8221;0px&#8221; link_type=&#8221;new_tab&#8221; alignment=&#8221;left&#8221; alignment_tablet=&#8221;default&#8221; alignment_phone=&#8221;default&#8221; display=&#8221;block&#8221; display_tablet=&#8221;inherit&#8221; display_phone=&#8221;inherit&#8221; link_text=&#8221;www.adrianoribolzi.com&#8221; url=&#8221;https:\/\/www.adrianoribolzi.com&#8221;][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_color=&#8221;#ffffff&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; constrain_group_1=&#8221;yes&#8221; bottom_padding=&#8221;0&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; shape_type=&#8221;&#8221; gradient_type=&#8221;default&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; column_padding_type=&#8221;default&#8221; gradient_type=&#8221;default&#8221;][vc_text_separator title=&#8221;2026&#8243; color=&#8221;black&#8221; css=&#8221;&#8221;][heading subtitle=&#8221;27.04.2026 &#8211; 12.06.2026&#8243;]<strong>Christo, from drawings to reality<\/strong>[\/heading][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]In collaboration with One Gallery, Galerie Adriano Ribolzi presents an exhibition dedicated to Christo, the most iconic figure of Land Art. It brings together a selection of rare and exceptional works from Vladimir Yavachev&#8217;s personal collection. Since the death of his uncle and aunt Jeanne-Claude, whom he assisted in their monumental projects, Vladimir has been working to revive the artist&#8217;s creations and legacy. He has generously offered us the opportunity to exhibit some of Christo&#8217;s greatest achievements. Our aim is to offer visitors a journey into Christo&#8217;s creative universe through some of the artist&#8217;s most emblematic projects. Among these works, &#8220;The Mastaba (Project for the United Arab Emirates),&#8221; 1979, by Christo Yavachev (1935\u20132020) remains the largest permanent artwork existing. It is composed of 410,000 multicolored barrels that together form a dazzling mosaic, an echo of Islamic architecture.      <\/p>\n<p>The drawing embodies\/reflects Christo\u2019s meticulous creative process: architectural precision, handwritten calculations, mapped geography and striking chromatic contrast between orange and black \u2014 essential elements of his artistic practice.[\/vc_column_text]\n\n\n\t\t\t\t<div class=\"portfolio-wrap \">\n\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"portfolio-loading  none\">   <\/span>\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"row portfolio-items no-masonry  fullwidth-constrained  \" data-rcp=\"false\" data-masonry-type=\"default\" data-ps=\"9\" data-starting-filter=\"\" data-gutter=\"default\" data-categories-to-show=\"2026-galerie-adriano-ribolzi\" data-bypass-cropping=\"\" data-lightbox-only=\"true\" data-col-num=\"elastic\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"col elastic-portfolio-item  element 2026-galerie-adriano-ribolzi-en \"  data-project-cat=\"2026-galerie-adriano-ribolzi-en \" data-default-color=\"true\" data-title-color=\"\" data-subtitle-color=\"\">\n\n\t\t\t\t\t\t\t<div class=\"inner-wrap animated\" data-animation=\"none\">\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"work-item style-1\" data-custom-content=\"\">\n\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"size- skip-lazy\" src=\"https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2026\/04\/GALERIE-ADRIANO-RIBOLZI_Christo_The-Mastaba_920x1920-600x403.jpeg\" alt=\"\" height=\"403\" width=\"600\" srcset=\"https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2026\/04\/GALERIE-ADRIANO-RIBOLZI_Christo_The-Mastaba_920x1920-900x604.jpeg 900w, https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2026\/04\/GALERIE-ADRIANO-RIBOLZI_Christo_The-Mastaba_920x1920-600x403.jpeg 600w, https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2026\/04\/GALERIE-ADRIANO-RIBOLZI_Christo_The-Mastaba_920x1920-400x269.jpeg 400w\"  \/>\n\n\t\t\t\t\t\t\t\t\t\t<div class=\"work-info\">\n\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2026\/04\/GALERIE-ADRIANO-RIBOLZI_Christo_The-Mastaba_920x1920-scaled.jpeg\"  title=\"Christo Yavachev (1935\u20132020)\n\u201cThe Mastaba (Project for United Arab Emirates)\u201c, 1979\nPencil and wax pastel on paper\n80 x 59 cm\nSigned and dated: Christo 1979\nExecuted in 1979\n\u00a9 One Gallery\"  class=\"pretty_photo\"><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t<\/div><!--work-item-->\n\n\t\t\t\t\t\t\t\t\t<div class=\"work-meta\">\n\t\t\t\t\t\t\t\t\t\t<h4 class=\"title\">The Mastaba (Project for United Arab Emirates)<\/h4>\n\n\t\t\t\t\t\t\t\t\t\t<p>Christo Yavachev (1935\u20132020)\n\u201cThe Mastaba (Project for United Arab Emirates)\u201c, 1979\nPencil and wax pastel on paper\n80 x 59 cm\nSigned and dated: Christo 1979\nExecuted in 1979\n\u00a9 One Gallery<\/p>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t\t\t\t\n\n\t\t\t\t\t\t\t<\/div><!--\/inner-wrap-->\n\t\t\t\t\t\t<\/div><!--\/col-->\n\n\t\t\t\t\t\n\t\t\t\t<\/div><!--\/portfolio-->\n\t\t\t<\/div><!--\/portfolio wrap-->\n\n\t\t\t[\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; 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vs_tab_spacing=&#8221;5%&#8221; icon_size=&#8221;24&#8243;][tab icon_family=&#8221;none&#8221; title=&#8221;2025&#8243; id=&#8221;1775093173248-7&#8243; tab_id=&#8221;1775093173249-4&#8243;][heading subtitle=&#8221;01.07.2025 &#8211; 30.07.2025&#8243;]Simon Berger <em>&#8211; Origins<\/em>[\/heading][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]Artistic vision, technical skill and continuous innovation characterise Simon Berger\u2018s creative practice. Pioneering an improbable method of working glass in a two-dimensional, figurative way, the Swiss artist literally breaks boundaries with a revolutionary approach to his medium of choice, thereby moving beyond the century-old convention of building and modelling vitreous matter. Contrary to this long-standing tradition, his is a form of anti-creation as the destructive gesture of mere blows of a hammer on a glass pane ultimately \u2018draws\u2018 images of great visual intrigue that emerge from the tangle of powerfully orchestrated cracks. By virtue of his unique sculptural language Simon Berger explores the depths of the material, striking the glass to liberate photorealistic \u2018paintings\u2018 from the presumed flatness of the surface. [\u2026]\n<p>The closer and briefer the blows, the stronger the contrasts and the shades. In his hands, the hammer is no longer a tool of destruction, but rather an amplifier of effects. His lacerated portraits, incised in glass, transport the gaze into the tangles of cracks and creases which he refers to as &#8220;morphogenesis&#8221;. [&#8230;]\n<p>From the controlled shattering of glass and its resulting fractures, art recalls its power of suscitating wonder and awe since through destruction, Simon Berger allows beauty to emerge.[\/vc_column_text]\n\n\n\t\t\t\t<div class=\"portfolio-wrap \">\n\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"portfolio-loading  none\">   <\/span>\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"row portfolio-items no-masonry  fullwidth-constrained  \" data-rcp=\"false\" data-masonry-type=\"default\" data-ps=\"9\" data-starting-filter=\"\" data-gutter=\"default\" data-categories-to-show=\"2025-galeria-adriano-ribolzi\" data-bypass-cropping=\"\" data-lightbox-only=\"true\" data-col-num=\"elastic\">\n\t\t\t\t\t\t\n\t\t\t\t<\/div><!--\/portfolio-->\n\t\t\t<\/div><!--\/portfolio wrap-->\n\n\t\t\t[\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;2024&#8243; id=&#8221;1775093173294-5&#8243; tab_id=&#8221;1775093173294-4&#8243;][heading subtitle=&#8221;July 1 to September 15, 2024&#8243;]\n<h2><strong><em>Ganga SINGH, aux sources de l\u2019Inde<\/em><\/strong><\/h2>\n[\/heading][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\">Ganga Singh grew up in her ancestral home in Rajasthan. His childhood was cradled by nature, fields, ponds and birds. <\/p>\n<p style=\"text-align: center;\">Ganga Singh often went camping, and one of his favorite spots was the Chambal river gorge, which flows between high cliffs covered with dense forests. The Kota region is known as a paradise for fish eagles, which he used to watch in action with his friends. The famous miniaturists of Kota also depicted the Chambal Valley in hunting scenes, and Ganga Singh&#8217;s works combine a certain influence of this tradition with his own bold interpretation of the theme. The paintings in this series are personal visions in which he attempts to give landscapes and rock formations a human character. He uses gold and ochre colors to evoke birds of prey, and the bold folk forms that influence his living space give his paintings strength and energy.    <\/p>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; 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