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For\u00eat de talons<\/h4>\n\n\t\t\t\t\t\t\t\t\t\t
Suska Bastian\n\"For\u00eat de talons\"\n2025\nPalm heels, color\nVariable dimensions<\/p>\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t\t\t\t\n\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”10″ constrain_group_1=”yes” bottom_padding=”10″ left_padding_desktop=”15″ constrain_group_2=”yes” right_padding_desktop=”15″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”25″][heading]Previous editions[\/heading][tabbed_section style=”minimal_flexible” tab_color=”Accent-Color” vs_content_animation=”fade” vs_link_animation=”opacity” vs_navigation_alignment=”left” vs_navigation_width_2=”25%” vs_navigation_func=”default” vs_navigation_width=”regular” vs_navigation_spacing=”15px” vs_navigation_mobile_display=”visible” vs_tab_spacing=”5%” icon_size=”24″][tab icon_family=”none” title=”2024″ id=”1750075530347-1″ tab_id=”1750075530348-7″][heading subtitle=”7th of June – 30th of September 2024″]\n
CONCRETE BEACHES, ARTIFICIAL LANDSCAPES<\/h2>\n[\/heading][vc_column_text css=”” text_direction=”default”]Suska Bastian, Caroline Bergonzi, Marco Colazzo, Maria David, Florian Ferrua, Camille Franch-Guerra, Dorian Teti, Anna Tomaszewski<\/p>\n
The Office: a Private Collection, Katie Armstrong, Jules De Ballincourt, Adeline de Monseignat, Torkwase Dyson, Peter Halley, Minam Kobayachi, Victor Seaward<\/p>\n
Undergoing violent ecological changes, natural landscapes are being shaped, augmented and supplanted by synthetic artifice, driven by discordant projects.<\/p>\n
What kind of future do we dream of?<\/h3>\n
The group exhibition CONCRETE BEACHES, ARTIFICIAL LANDSCAPES is built around a hypothetical scenario – abstract, metaphysical, uncertain.<\/p>\n
Visitors should see it as a fictional narrative in which each of us can place our own allegory of a shared future. Each piece and object animates these fantasized futures, sometimes already realized.<\/p>\n
Taking as its inspiration the flamboyant reveries of J.G. Ballard’s first collection of short stories, Vermillon Sands (1973), the exhibition aims to provoke the imagination around hybrid narratives.[\/vc_column_text][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][team_member image_url=”4791″ bio_alt_image_url=”4791″ team_memeber_style=”bio_fullscreen_alt” image_loading=”default” team_member_bio_full_html=”simple” image_size=”large” name=”Camille FRANCH-GUERRA” job_position=”Empathie sonore n\u00b0 2 – Purple Misery, 2019″ team_member_bio=”Camille FRANCH-GUERRA
\nEmpathie sonore n\u00b0 2 – Mis\u00e8re Pourpre, 2019
\nTherapeutic crystal tuning fork, burnt oak plank, mis\u00e8re pourpre
\nPhotography: Fran\u00e7ois Fernandez
\nCourtesy: Collection Priv\u00e9e”][\/team_member][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][team_member image_url=”4793″ bio_alt_image_url=”4793″ team_memeber_style=”bio_fullscreen_alt” image_loading=”default” team_member_bio_full_html=”simple” image_size=”large” name=”Suska BASTIAN” job_position=”Protective Shell IV, 2022″ team_member_bio=”Suska BASTIAN
\nProtective Shell IV, 2022
\nFallen palm leaf with car paint
\n68 x 33 x 15 cm”][\/team_member][\/vc_column_inner][\/vc_row_inner][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"
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\n\n\t\t\t\t\t\t\t\t\t\t![\"\"](\"https:\/\/www.monaco-artweek.com\/wp-content\/uploads\/2025\/06\/COLLECT-MC_Suska_BASTIAN_Foret-de-talons-copie-scaled.jpg\")
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